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Lr as LC on even unchipped lenses you can select like the old Rokinon 14mm f/2.8 or say the Voigtlander 12mm 5.6 aspherical ultra wide heliar vm mount. There are times you may want to edit in ON1 Photo RAW that may may not have your lens but Dxo may have it so you can do Dxo RAW then import Going from Lr to Dxo or ON1 PhotoRAW and back is nice. You can fully edit in Dxo also like you would in Lr. The key difference between Topaz Denoise AI and Dxo Raw 2 is once an image processed in Dxo or Dxo RAW 2 is that if brought into PS/Lr or any other program it will see the lens used vs the TIFF from Topaz Denoise AI if brought into PS/LR you have no LC selection like you would have it just first in Lr. DxO PureRAW 2 gets my highest recommendation.ĭxo and RAW 2 are great. It outputs a raw file, so the rest of your workflow is undisturbed. DxO PureRAW is a revolutionary product, worth making slight adjustments to your workflow for the improvements it offers. I've reprocessed these images, and they have never looked better. I'm amazed at the improvement in my older, now long-gone cameras and lenses.

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One thing I do that is very enjoyable was to take really old raw files from my archive and let PureRAW have a crack at them. I'd be happier still when PureRAW goes native.

It's not M1 native on a Mac, but DxO has worked with Apple and PureRAW runs demonstrably faster on Mac silicon.

It doesn't reduce motion blur, but that's not part of its design.

DxO PureRAW does what it advertises and improves every image it sees.

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The price is reasonable as either a first-time or upgrade: $129 for new users, $79 for an upgrade from version 1.0.Open your raw files, let PureRAW do its thing, and you can preset what application you want that raw file to get exported to.

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The GUI for PureRAW is simple and does not have a manual to figure out.

The tight integration with Lightroom, and with macOS and Windows OS is a plus, especially nice for running multiple images at once.

I've yet to find a raw file that is not improved with PureRAW 2, as was the case with the original version. I did test the Lightroom Classic integration of PureRAW 2, and it worked as advertised, so Lightroom users will be pleased.įor a complete list of cameras and lenses added to PureRAW 2, check the DxO site. For those images, I start with PureRAW, then open the DxO-improved raw image in Camera Raw, then use the Topaz Sharpen AI plugin from within Photoshop. I use Topaz Sharpen AI, which is a miracle worker with any image that is blurry, and it especially helps with drone photos in low light. The only thing I don't get out of PureRAW 2 is getting rid of motion artifacts. (You won't see many improvements in this compressed JPEG, but in the full-size raw file, they stand out.) I also use PureRAW with images from my DJI Air 2S drone, and those images are also visibly improved. Since PureRAW offers a split-screen before and after view, it's easy to see the improvements in sharpness, noise reduction, color correction, lens artifacts, geometry corrections, and vignetting. I also appreciated that DxO has added more camera and lens combinations, in particular for me, the new Sony a7 IV.

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I've taken this latest version out for a spin and found it a notable improvement on both my Intel-based iMac and especially on my MacBook Pro with the M1 Max chip. Camera updates include Sony, Fuji, Nikon, Sigma, Canon, and the new DJI Mavic 3 drone. HiDPI displays are now supported, offering a useful feature to photographers on Windows machines.įinally, there are updates to DxO’s Optics Modules, bringing the total number of supported camera and lens combinations to more than 70,000. Not only is it more responsive, but processing and export times have also been improved - up to four times faster on Apple Silicon machines and up to 1.5 times faster on the latest Windows computers.

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Users can expect clean images, free of noise and artifacts, with deep, vibrant colors, even at high ISO levels.ĭxO DeepPRIME claims a significant upgrade in speed.

In addition, DxO PureRAW 2 now supports raw files from X-Trans sensors, bringing the benefits of DeepPRIME corrections to Fujifilm X Series photographers. Similar functionality is now integrated into Windows File Explorer and the macOS Finder: simply right-click files and choose from the context menu to start the process. In Lightroom Classic, users can right-click on several raw files and have DxO PureRAW 2 process the images, creating newly enhanced Linear DNG files back in the same folder without having to step outside of the application. According to DxO, PureRAW 2 offers two new integrations to make the workflow even smoother. Today, DxO is releasing a second generation of the DxO software, DxO PureRAW 2.